I continue to be super inspired by central and eastern European folk art and folk design. For this painting I worked up a sketch from my sketch book onto a bigger piece of Bristol board and used my gouache paints to add vibrant color.
This process of digging deep and creating new work has been so rich and interesting for me because after, what my friend and mentor, Valerianna over at Ravenwood calls, "stirring the cauldron" or searching within for months and wondering what my next line of work would be, inspiration hit.
Now that I have, what Twyla Tharp in her book "The Creative Habit Learn It And Use It For Life" calls, a "spine" to my work I can follow ideas and play with inspirations that trace back to my Hungarian and Polish ancestry and love of this particular aesthetic. The spine provides support and allows me the creative freedom to build from a foundational idea.
The best part for me is that despite having this new direction I see lines of connection in the way I've been developing as an artist all along. Lines, shapes and symbols are coming out in my newer work that hark back to ideas and creations of the past. This is a good sign to me because there is a creative thread being expressed that means I am truly being myself.
This process of digging deep and creating new work has been so rich and interesting for me because after, what my friend and mentor, Valerianna over at Ravenwood calls, "stirring the cauldron" or searching within for months and wondering what my next line of work would be, inspiration hit.
Now that I have, what Twyla Tharp in her book "The Creative Habit Learn It And Use It For Life" calls, a "spine" to my work I can follow ideas and play with inspirations that trace back to my Hungarian and Polish ancestry and love of this particular aesthetic. The spine provides support and allows me the creative freedom to build from a foundational idea.
The best part for me is that despite having this new direction I see lines of connection in the way I've been developing as an artist all along. Lines, shapes and symbols are coming out in my newer work that hark back to ideas and creations of the past. This is a good sign to me because there is a creative thread being expressed that means I am truly being myself.